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Rachell Morillo.info
Home
Images
Writing
Contact Me
Home
Images
Writing
Contact Me

Catalogues Essays & Commissioned Texts

  • “Clementine Hunter” and “Gerald Jackson.” Artist entries in Meaning, Matter, Memory: Selections from the Studio Museum in Harlem Collection, curated by Thelma Golden and Connie H. Choi. New York: Phaidon / The Studio Museum in Harlem, 2025.

  • “Naima Green: Monochrome.” Exhibition text for Naima Green: Monochrome. Astor Weeks, New York, 2025.

  • “You Hear Me? Notes on Language That Escapes, Spectacularly.” In Duets, publication accompanying Beneath Tongues, curated by Sable Elyse Smith. New York: Swiss Institute, 2022.

  • “Tom Lloyd” and “Romare Bearden.” Artist texts in Black Refractions: Highlights from The Studio Museum in Harlem, curated by Thelma Golden and Christine Y. Kim. New York: Rizzoli Electa / The Studio Museum in Harlem, 2019.

  • “Quietly Queer: Devan Simoyama’s Magically Liberating Portraits.” In Fictions, curated by Connie H. Choi and Hallie Ringle. New York: The Studio Museum in Harlem, 2018, pp. 88–89.

Criticism, Reviews & Interviews

  • “Emma Amos, They Weren’t Ready For You.” Seen: Journal of Film and Visual Culture, Observed section, 2022.

  • “On Tabita Rida.” In TSA Art Magazine: Collector’s Series — Artists & Cities #01. Lagos / Amsterdam: TSA Art Magazine, 2022.

  • “To Live as You Die: A Review of Shaka King’s Judas and the Black Messiah.” Seen: Journal of Film and Visual Culture, Issue 002 (Spring 2021).

  • “Electric Images: Ming Smith’s Transcendent Photography.” Hyperallergic, June 22, 2021.

  • “Laura Aguilar’s Liberatory Gaze.” Hyperallergic, April 6, 2021.

  • “Grief and Grievance Honors the Weight and Wake of Racial Violence.” Hyperallergic, March 9, 2021.

  • “Behind the Mask: Photographers Reflect on Black Vulnerability.” Hyperallergic, February 11, 2021.

  • “The Living Legacy of the Kamoinge Workshop, a Force in Black Photography.” Hyperallergic, January 20, 2021.

  • “Michaela Coel’s I May Destroy You Is a Brilliant Meditation on Consent.” Hyperallergic, August 24, 2020.

  • “Queen & Slim Traverses Trauma on Repeat but Never Delves Deeper.” Hyperallergic, February 18, 2020.

  • “Sam Nhlengethwa: Portrayal of the Everyday.” The Art Momentum, Artpapers (ART X Lagos 2019), December 28, 2019.

  • “Kia LaBeija Shelters a Queer, Black Femme Story of Collective Liberation.” Hyperallergic, November 18, 2019.

  • “How Socialism Shaped Africa Between Independence and the End of the Cold War.” Hyperallergic, October 2, 2019.

  • “Forging and Nourishing Diasporic Connections: An Interview with Lyle Ashton Harris.” The Art Momentum, Artpapers, November 26, 2018.

Rachell Marie Morillo Reyes

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